Meanwhile, Shirou is approached by Zōken, who reveals the shadow is a piece of the Holy Grail from ten years ago that he put inside Sakura and claims it is not his ally – in fact, he can barely keep it contained. Later, Illya – who is secretly Kiritsugu Emiya's biological daughter and therefore Shirou's adoptive sister – lets go of her grudge against him over seemingly abandoning her after overhearing Taiga talk about how he tried to return to her before his death. Bedridden from injuries inflicted by Gilgamesh, Sakura is told by Illya that she has become the vessel for the Holy Grail and thus does not have long to live. Sakura then returns to the Emiya household, and Shirou realizes the shadow comes from her.
The Servant Gilgamesh attacks her, but the shadow devours him. One night, Sakura sleepwalks throughout the city and kills several people. However, as Rin grows closer to Shirou, Sakura becomes jealous and asks him if he loves her romantically, to which Shirou affirms he does – resulting in the two having sex. Having lost their Servants, Rin and Illya move into the Emiya household to plan their next step while helping Shirou get used to his new arm, now sealed with a holy cloth as his body cannot handle Archer's power within. Before dying, Archer cuts off his left arm and transplants it onto Shirou to save his life. While Archer can drive Zōken's Assassin off, the shadow mortally wounds him and severs Shirou's left arm before retreating. Shirou and Rin seek out Illyasviel von Einzbern to form an alliance, but find her in battle with Zōken and the shadow, which unleashes the corrupted Saber to subdue Berserker so it can devour him. However, Sakura becomes increasingly aroused due to the Crest Worms, and her behavior becomes erratic. Sakura then moves back to the Emiya household with Rider, who slowly starts to trust Shirou. Despite Sakura's attempts to push him away for his safety, Shirou promises he will protect her even at the cost of his ideals, which also makes Rin back off. As Rin contemplates killing Sakura for the danger she poses, Kotomine reveals to Shirou that the two girls are blood sisters, with Sakura given to the Matou family for adoption. He explains Sakura's body is infested by Zōken Matou's Crest Worms, which feed on her mana by arousing her.
Shirou reawakens in Fuyuki Church, where priest Kirei Kotomine operates on Sakura. However, when Shirou is hurt and loses consciousness, Sakura's grief causes her to injure herself, forcing Rider to stop. Archer and Rin attack Sakura, but Rider defends her and starts turning them to stone with her gaze – revealing her identity as Medusa. Faced with the reality that he will never be a Magus, Shinji douses Sakura with a potion that makes her lose control of her mana and flees. Sakura pleads for everyone to stop, and Rider heeds her call, revealing Sakura as her true Master. After returning from a meeting with Rin Tohsaka, Shirou finds Sakura Matou has been kidnapped by her brother Shinji, and the two confront him. spring song, was released in Japan on August 15, 2020.Īfter Saber's disappearance, Shirou Emiya is effectively disqualified from the Holy Grail War but intends to continue fighting regardless. A sequel, Fate/stay night: Heaven's Feel III. As of July 14, 2019, it has grossed $19.8 million worldwide.
The film was a critical and commercial success, earning ¥1.5 billion faster than its predecessor. After Shirou is eliminated from the War as a Master, he seeks salvation for Sakura and the other participants.
presage flower, the film focuses on the Holy Grail War and the relationship between Shirou Emiya and Sakura Matou, two teenagers participating in the conflict. Continuing immediately from the events of Fate/stay night: Heaven's Feel I. The story is adapted from Heaven's Feel, the third and final route of the visual novel Fate/stay night. The second installment in the Fate/stay night: Heaven's Feel trilogy, it premiered in Japan on Janu and in the United States on March 14, 2019. lost butterfly is a 2019 Japanese anime fantasy film produced by ufotable and directed by Tomonori Sudō.